One of the most memorable aspects of my internship with National Queer Theater was seeing firsthand the impact of collaboration between non-profits. Before several performances of the Criminal Queerness Festival, we hosted events where organizations like PEN America and the Artistic Freedom Initiative came to speak with audience members about their work. These conversations bridged the world of performance and the world of advocacy, showing how art can create openings for dialogue around censorship, freedom of expression, and human rights. For audiences, the experience was more than just attending a show; it became an entry point into understanding the larger ecosystems of activism and support that surround international queer stories.

These pre-show events also highlighted the importance of cultural exchange. Artists from various backgrounds were invited to sell their work or share food tied to their heritage. What could have been a simple lobby space was transformed into an exchange of voices, traditions, and perspectives. This made the theatre feel less like a venue and more like a gathering space, one where audiences could experience not just the play but also the communities and cultures connected to it. Through these collaborations, I learned that theatre does not exist in isolation. Its power is amplified when paired with organizations and artists who are working toward shared values in different ways. By joining forces, these groups created a richer, more inclusive experience that not only celebrated performance but also strengthened community.