Working on FrikiNation gave me the rare opportunity to step into a story that reached far beyond the rehearsal room. The production brought to life a moment in history I had never encountered before in school or media: the AIDS crisis in Cuba and its devastating impact on artists. To participate in telling this story was to take part in a powerful revival; not only of the events themselves, but of the voices that had once been silenced. Theatre became a vessel through which forgotten histories could be honored, questioned, and shared with new audiences. Equally transformative was the sense of community I found within the rehearsal room. Surrounded by actors, directors, and creatives who had dedicated their lives and careers to telling stories of queer resilience and survival, I felt both humbled and inspired. Many of them carried personal or professional connections to the themes of the play, and the passion they brought into the room was clear. Their commitment reminded me that theatre is not just an art form, but also a form of advocacy and remembrance. Being welcomed into this group of artists gave me more than professional experience, it gave me a sense of belonging in a larger movement. Together, we weren’t only building a show; we were building a space where history, community, and artistry could intersect in meaningful and unforgettable ways.

Below are some pictures from the performances (professional and backstage):